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Post by Shifu Tolson on May 9, 2016 16:22:34 GMT -5
In this video my student, John Spolarich, demonstrates the movemement: 撩 - liāo - "to lift up". The Chinese word, 撩 - liāo - "to lift up", is used in the sense of lifting up a skirt or pulling up one's sleeves.
Liao is a common movement used in the form and can serve as an upward deflection of the enemy's weapon, or as a cut to the enemy's wrist.
In the first part of the video, John is viewed from the right side. In the second part of the video, John is viewed from the front. I videotaped both perspectives to highlight important features of how my school teaches the praying mantis 身 法 - shēn fǎ – "body mechanics" of this movement.
Along with 机 会 - jī huì - opportunity, 时 间 - shí jiān - timing, 角 度 - jiao dù - angle, 平 衡 - píng héng - balance, and 力 的 使 用 - lì de shǐ yòng - force, 身 法 - shēn fǎ – body mechanics are an important part of the Mantis sword art.
While watching the video, notice how John rotates his shoulders and hips so that a line runs through his back to point toward the enemy. In other words, when cutting, a continuous line can be drawn through his rear shoulder, back, front shoulder, arms and the sword blade. All parts are in alignment with the target. In the same way, a continuous line can be drawn through his rear hip, pelvis, front hip, and the sword blade. This allows for the maximization of power through torque provided by the waist and shoulders. In Mantis, we refer to this as "through the back" energy and "proper use of the waist".
Some two hand sword arts sacrifice power and grip for speed. The hilt is held primarily with one hand and emphasis is placed on spinning the blade at a high rate of speed. Unfortunately, though this looks very pretty and artistic, a swordsman can be easily disarmed when his weapon is struck with a powerful blow. Thus, we prefer to keep both hands firmly on the hilt when performing this motion.
Note also in this video that the blade cuts upward on a vertical, rather than an oblique path.
Mastering this movement is the first step to learning our Tanglangjian form.
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Post by Shifu Tolson on May 10, 2016 23:31:22 GMT -5
Here is the second drill we use to develop proper shenfa when wielding the Shuangshou Jian. The movement is called 左 右 陰 陽 - zuǒ yòu yīn yáng - "Left & Right Yin Yang".
The application of the movements consist of a left and right parry of straight spear thrusts.
Notice in the front and side views the way John rotates his hips, shoulders and wrists to perform the parries. Each of the three body parts acts as an engine to create power for the movement. In the front view you can see that John does an excellent job holding the tip of the sword at the same point in front of him while rotating his body and the deflecting surface of the sword through space.
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Post by Shifu Tolson on May 11, 2016 23:16:14 GMT -5
Above is the third drill, 螳 螂 抖 翎 - táng láng dǒu líng - "Mantis Shakes Its Antennae".
The footwork for this drill consists of two retreating steps followed by a rearward leap. As is typical, the rearward steps include ample rotation of the hips and shoulders to power the upward blocking actions of the sword. The rearward leap is coupled with the Mantis Shakes its Antennae action.
The Mantis Shakes its Antennae attack is a swatting action with the tiger gate (left) side of the blade facing the ground. The action is powered primarily by the wrists, much like a 点 - diǎn - "dotting" strike. It can be used offensively or defensively.
The maneuver appears three times in the form with a different footwork strategy each time. The footwork shown in the video is the more difficult of the three methods.
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Post by Shifu Tolson on May 12, 2016 22:04:20 GMT -5
In this video my student, Tom Pasquale, demonstrates the movement: 螳 螂 抖 翎 - táng láng dǒu líng - "Mantis Shakes Its Antennae" with the accompanying Seven Star footwork.
After Tom completes the technique, 蝴 蝶 穿 花 - hú dié chuān huā - "Butterfly Through the Flowers", he turns to face the opposite direction while raising the sword on his right side and retreating his left foot. Tom follows by raising the sword on his left side and advancing his left foot into a Seven Star stance. Finally, he shuffles his left foot forward with a Seven Star kicking maneuver while executing the Mantis Shakes its Antennae attack.
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Post by Shifu Tolson on May 14, 2016 10:26:14 GMT -5
In this video my student, John Spolarich, demonstrates the movement: 燕 子 抖 翎 - yàn zi dǒu líng - "Swallow Shakes Its Tail".
Here is a description of the technique from my teaching notes:
燕 子 抖 翎 - yàn zi dǒu líng - "Swallow Shakes Its Tail" "Step the left foot forward into a forward stance while circling the tip of the sword in a small clockwise circle (like a bird's tail flicking about), then thrust forward with the left side of the blade facing upward. Next, step the right foot forward into a forward stance with a small counterclockwise block and thrust with the right side of the blade facing upward."
This technique is used as a small circular deflection of the enemy's weapon, followed by a quick thrust to the enemy's center-line. Between the deflection and the counter-attack is an opportunity to employ the Mantis principles: 黏 - nián - "sticking", 聽 - tīng - "listening" and 送 - sòng - "move against". This will be discussed further at the seminar.
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Post by Shifu Tolson on May 15, 2016 11:43:18 GMT -5
Here is list of the skills trained in the form:
Defense
拦 - lán - obstruct 撩 - liāo - lift 托 - tuō - support
Offense
劈 - pī - split 刺 - cì - stab 绷 - bēng - stretch 点 - diǎn - dot 摸 - mō - smear
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Post by Shifu Tolson on May 19, 2016 10:08:50 GMT -5
Buying A Shuang Shou JianMy shuangshou jian (two hand sword) is of the longer variety. It is 54" long overall and has a handle that easily accommodates my ham-sized fists. I chose one with a combat steel blade. When looking for a sword I tell students that a good rule of thumb is to place the tip of the sword on the ground. The end of the pommel should extend to about the height of your nipple. The blade should be able to support the weight of the sword without collapsing. Currently, I only know of one US supplier that has shuangshou jians in stock. It is the Bak Lei Po Trading company. Here is a link to their site: store.bokleipo.com/index.php?. Some companies sell the swords with a 42" blade. These also work, but I personally prefer the longer swords. There are also companies that sell taiji length blades with an over-sized two hand length handle. I would discourage purchasing these. Even a taiji sized sword with a one handed grip can be used. The second hand merely holds on to the pommel. My kung fu brother, Zhang Maochang, regularly performs the Ba Xian Jian (Eight Immortals Sword) form with the single hand jian. Though his hands are much smaller than mine. One last thought, the Scott Rodell Cutting Jian is one of the best swords that I have ever seen. It can work as a shuangshou jian for most people. Though it is very sharp and accidents could be more than superficial.
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Post by Shifu Tolson on May 22, 2016 0:29:10 GMT -5
Mistakes to Avoid When Using the Shuangshou Jian
It is easy to distinguish traditional two hand sword forms from the modern Wu Shu based two hand sword forms.
Wu Shu based sets contain the following errors:
1. Flowery one hand spinning of the sword. The shuangshou jian is a long, heavy sword. It has a handle designed to be held in both hands. If both of your hands are not gripping the handle at least 95% of the time, you are using the weapon WRONG. A heavy, long weapon held by one hand can easily be knocked out of one's grip. Would you swing a Quandao around with one hand?
2. Spinning the sword around the body. Most people leave enough openings in their defenses without creating more. Things that look pretty and win tournament trophies are rarely useful in battle.
3. Running and gymnastics while wielding the sword. As if hitting specific targets on the enemy's body, while guarding your own openings is not hard enough. Add a few sprints and butterfly kicks into the mix to ensure a view from inside a body bag.
Though not necessarily found in Wu Shu sets, another common mistake when wielding the two hand sword is chopping. A jian is not a broadsword or a meat cleaver. Its general use is slicing, not chopping. It cuts when drawn back or pushed forward. Chops are possible, but they are done differently than with the broadsword.
A jian is a precision fighting weapon. It takes years to master. Avoiding the above mistakes can clear a faster path to mastery.
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Post by Shifu Tolson on Jan 31, 2018 14:33:34 GMT -5
Here is the song for this form:
螳 螂 剑 táng láng jiàn
一 起 太 极 yī qi tài jí Together Grand Ultimate
右 左 撩 劈 yòu zuǒ liāo pī Right, Left Lift & Chop
左 右 陰 陽 zuǒ yòu yīn yáng Left & Right Yin Yang
螳 螂 出 洞 táng láng chū dòng Praying Mantis Exits Hole
螳 螂 抖 翎 táng láng dǒu líng Mantis Shakes Its Antennae
右 吹 笛 子 yòu chuī dí zi Right Play Flute
螳 螂 出 洞 táng láng chū dòng Praying Mantis Exits Hole
右 撩 平 剑 yòu liāo píng jiàn Right Lift & Level Sword
燕 子 抖 翎 yàn zi dǒu líng Swallow Shakes Its Tail
大 鵬 亮 翅 dà péng lìang chì Peng Spreads Its Wings
白 虎 拦 路 bái hǔ lán lù White Tiger Blocks the Road
螳 螂 抖 翎 táng láng dǒu líng Mantis Shakes Its Antennae
右 撩 踢 腿 yòu liāo tī tuǐ Right Lift, Kick Leg
降 步 点 剑 jiàng bù diǎn jiàn Drop Step, Dot Sword
左 撩 平 剑 zuǒ liāo píng jiàn Left Lift & Level Sword
右 燕 抖 翎 yòu yàn dǒu líng Right Swallow Shakes Tail
太 公 钓 鱼 tài gōng diào yú The Grand Duke Fishes
右 撩 平 剑 yòu liāo píng jiàn Right Lift, Level Cut
蝴 蝶 穿 花 hú dié chuān huā Butterfly Through the Flowers.
足 合 併 式 zú hé bìng shì Feet Together Pattern
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